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Company Auditions - Ballet Austin

Ballet Austin is classically innovative. Through excellence and faithful stewardship, we create, nurture and share the joy of dance. Ballet Austin's main company employs 22 dancers under the direction of Stephen Mills, Ballet Austin's Sarah & Ernest Family Fund Artistic Director.Main company dancers perform a mixed repertoire that ranges from original full-length ballets such as The Taming of ...…

Ballet Austin - Wikipedia

Ballet Austin is the 12th largest classical ballet company in the USA, and also operates the largest combined training facility associated with a professional ballet company in the United States. Each year the Ballet Austin company performs ballets from a wide variety of ……

Ballet Austin Company Blog Page 3

The elephant in the room, the EVIL WORDS around town, the things we’d love to ignore… but can’t. As much as I, and everyone else connected with Ballet Austin, would like, we simply can’t make the construction on Mopac—or 3rd Street, or any other artery leading to Ballet Austin—go away.…

Austin City Ballet - Welcome

The Austin City Ballet is the oldest pre-professional dance company in Austin and is comprised of dancers ages 8-18 who want to perform and train at a more intense level, all while forming long-lasting friendships and becoming part of a close knit family.…

Ballet Afrique Contemporary Dance

The company employs a synthesis of ballet and modern and African traditional movement to articulate the human condition and spirit through the unbounded art form of dance. Ballet Afrique‘s repertory is built around technical works of dance from local and emerging choreographers.…

Ballet Austin II - Ballet Austin

Endowed by Sarah & Ernst Butler though the Ballet Austin Foundation. Ballet Austin II, established in 1999, serves as Ballet Austin's apprentice program and second company. The apprentices are selected through a nationwide audition process and make Austin their home to ……

Ballet Austin: Expanding Audiences for Unfamiliar Works

Ballet Austin considers Category 2 its “sweet spot” because it allows the company to both present new work and fill the Long Center’s large auditorium with stories that audiences are familiar with. Categories 3 and 4 were mixed repertoire productions: programs of a few shorter, non-narrative pieces, often more experimental and avant-garde.…